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Plate II · x · a · The City

Lisbon

One entry, and I would still give it the whole day. A city that has arranged its best hour around a garden.

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Lisbon rooftops in flat winter light, the river beyond, seen from above
Plate II · x · a · Above the river

A city that is forgiven a great deal on account of its light, and in February deserves the forgiveness.

A day, properly arranged
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One entry does not mean half a day. It means an unhurried one.

The entries

One entry, visited, and it carries the city on its own.
A long low window in an empty modern gallery, opening onto water and mature trees
Interior · The long window on the garden

The building keeps putting the garden back in front of you, which is the most generous thing a museum can do to a visitor's eyes.

FEBRUARY, LATE MORNING
Notes for Lisbon

Go at opening and give the founder's rooms an hour before you allow yourself the garden. In the other order the collection never quite gets your full attention back, and it deserves it.

The garden is not an interval between two buildings, whatever the plan of the site suggests. Sit in it. It is the only museum garden I know that improves the rooms on either side of it.

February keeps the crowds down and the light long, and Lisbon in winter is a courteous city — which is not always the word for it in August. Check the closing day before you book; I have been caught out elsewhere for assuming.

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